"Uncle Boonmee Who Can Recall His Past Lives" unspools at The Beverly Theater, bringing Apichatpong Weerasethakul's dreamlike Palme d'Or-winning film to the intimate main stage. The story follows a dying man in rural Thailand who, in his final days, is visited by the ghosts of his past — a deceased wife who appears at the dinner table, a son who returns transformed into a red-eyed spirit creature wandering the jungle. The film moves at its own unhurried pace, letting the humid stillness of the Thai countryside and the murmur of insects at dusk seep into every frame.

Weerasethakul's work resists easy categorization, blending naturalism with folklore and quiet humor with meditations on mortality and reincarnation. Watching it in a smaller theater setting like The Beverly suits the material well — this isn't a film built for spectacle, but for close attention, where the textures of cave walls, water buffalo, and half-lit jungle paths become as important as anything spoken aloud. It's a film that lingers, the kind you find yourself thinking about on the drive home.