Sergio Leone's dusty, sun-scorched masterpiece gets the big-screen treatment it deserves at The Beverly Theater. Clint Eastwood's Man with No Name returns alongside Lee Van Cleef's steely-eyed hitman and Eli Wallach's scheming bandit in this sprawling tale of greed set against the backdrop of the American Civil War. Ennio Morricone's iconic score, with its whistling melodies and haunting orchestration, fills the intimate 150-seat theater in a way that home viewing simply can't replicate.

The film's operatic gunfights, extended silences, and unforgettable close-ups of squinting eyes and twitching fingers reward the kind of focused viewing that a proper theater provides. Watching this one unfold on a large screen, with Tuco's frantic energy and Blondie's cool detachment playing out in Leone's signature widescreen compositions, makes for a different experience than catching clips on a phone. The Beverly's acoustics should do justice to Morricone's score, and there's something fitting about seeing a classic Western in a venue built to celebrate cinema as an art form.