Clint Holmes takes the intimate stage at Myron's Cabaret Jazz for an evening that reaches back through decades of soul and songwriting to pull out the songs that still mean something. Think Stevie Wonder's "Higher Ground," Bill Withers' "Lean on Me," Marvin Gaye's "What's Goin' On" - the kind of music that carried messages of hope and unity when the world needed them most, and still does. Holmes doesn't just cover these classics; he reworks them through his own musical sensibility, giving familiar melodies new textures and phrasing while keeping the emotional core intact.

The setting itself adds something to the experience - round tables, a close stage, and that mezzanine balcony overlooking Symphony Park create the kind of room where a singer's voice can fill every corner without a microphone doing all the work. It's the sort of space built for exactly this kind of show, where you can watch every expression and hear every subtle turn in the arrangement.

Expect a set list built around themes of connection and optimism - "One Love," "You've Got a Friend," "Change the World" - songs that have soundtracked hard times and better ones for generations. Holmes brings decades of performing experience to the interpretations, treating these songs less like nostalgia acts and more like living material that still has something to say.