Discopussy's 6,500-square-foot underground lair sets the scene for this one, with Martin Horger stepping behind the booth to feed the room's obnoxiously loud sound system. The space itself nods to the early house and techno warehouses of Detroit, New York, and London—stripped down, a little gritty, built entirely for the dance floor rather than bottle service and sightlines. With capacity capped at 500, there's an intimacy to it that bigger clubs on the Strip can't replicate; you're close to the speakers, close to the DJ, close to everyone else who showed up for the same reason.

Expect a night centered on mainline house and techno, the kind of programming that draws people who care more about the groove than the spectacle. Martin Horger's set should lean into that lineage—tracks built for sustained movement rather than peak-hour drops—fitting right into Discopussy's whole ethos of sound-first clubbing. If you're the type who feels music in your chest before you hear it, this is the room for that.